THE FACT ABOUT CHARLIE CHAPLIN'S "THE CIRCUS" (1928) THAT NO ONE IS SUGGESTING

They are sometimes craving romantics, with this particular big difference: Buster appears to be a plausible mate, and the Tramp hardly seems to have a libido, only idealized notions. If their comedies had been created in a far more liberated time, it is possible to assume Keaton in bed with a girl, but disquieting to think of the Tramp being a sexu